Yeah, I know I promised a debrief on the SCBWI LA conference, but this does sort of relate. While at the conference my friend Su brought her kindle and I got to check it out. Pretty cool. I especially liked how one can change the font size - for someone like me who can't read small print without a magnification device, it is awesome.
While she was showing it to me and our friend, Libby, the three of us talked about how the kindle may change publishing forever. You can download a book for less than $10 versus an average of $17 for a new hardcover. It's lightweight - no breaking your back carrying a bunch of books with you.
But what about the illustrations of a picture book? The cover art? The smell of the paper? The feel of that book in your hands? There is something intimate about a book - curling up with it, just you and the characters, falling into the author's world - can you feel that way with the generic look and cold feel of a Kindle? I haven't tried it, so I can't answer that, but I do know that I hate reading books on my computer. I read it differently, more mechanically or something, than I do when I am holding the paper in my hands.
Video didn't kill the radio star; audio didn't kill the book when it became popular- nor did the penny press kill literary works as predicted when it brought literature to the masses. But, yeah, Kindle could kill the profits. Publishers may resort to only printing the classics, the proven sellers. Why spend the money to print a new release in hardcover when you can spend less and wait to see if it will be a seller on Amazon? And perhaps this will cause a re-kindling (pun intended) of the picture book industry when money once spent on hardcovers is freed up. (I mean, I don't care how cheap it is to publish work on the internet, no parent is going to let their baby drool all over a Kindle while reading a picture book, right?)
Let's look into the future for a moment though. Imagine the world of books has been diminished to the 'classics' and mass quantities of books downloaded onto mass quantities of Kindles.
Now imagine a mega virus has wiped out all that is Internet, machines have been trashed and discarded, life as we live it now has been destroyed.
Okay, now fast forward a century or two later, when someone like Tally from Scott Westerfield's Uglies is wandering the abandoned city streets of Old America. What will she find? An abundance of books like Moby Dick, The Odyssey, and The Scarlet Letter, perhaps The Outsiders and Good Night Moon - but none representing our time right now or our tomorrow. Whole generations of books will be gone forever. How sad that Tally won't be able to read the brilliance of today's and tomorrow's authors because their work is trapped inside a broken piece of plastic, accessible no more.
So, will the Kindle kill the publishing house? For the sake of our dystopian future, let's not let it. Let it be an industry tool, an industry advancement, but not an industry end.
Wednesday, August 19, 2009
Tuesday, August 4, 2009
Why Attend a Writer's Conference?
I leave Thursday for the SCBWI National conference in LA. Inevitably when I tell someone I am going to a Writer’s Conference, they ask “So do you bring your manuscript around and give it to agents and editors?” And when I say “No. In fact that is a sure-fire way not to get published,” the response is usually, “So, why go?”
Why? Because:
The first writer’s conference I attended was the 2000 Write on The Sound conference in Edmonds, WA. It wasn’t specifically children’s writing, but it did have sessions on YA and it was in Edmonds, where my sister lives, so it worked for me. Even though several of the sessions I sat in on were about writing I didn't necessarily plan on writing - memoirs, magazines, nonfiction - I learned a wealth of knowledge about the business and even more about the market. But the most significant thing I came away with were contacts - I met so many people, writers like me, that I could stay in touch with via email. This actually shocked me. This networking thing. I had always been (and still am!) the shy one – never speaking to someone until spoken to, afraid of social situations because I didn't know what to say – and yet, there I was talking to people about writing, my writing, and talking to them about their writing. So why go? BUSINESS and MARKET INFORMATION and NETWORKING.
I went the following year to the same conference – this time submitting a manuscript for critique. It was scary. It was one thing to have friends or classmates in workshop read it, but have an actual publishing professional read it and comment on it? YIKES!! The experience was amazing. My writing grew in leaps and bounds just from that one critique. As I started attending more conferences, I made it a point to always submit something; in my opinion, it is a wasted opportunity if you don't. You’ll never make it out there if you don’t let those who work out there read your stuff. So, why attend? CRITIQUES
That next year I also attended my first SCBWI National conference. It was February, 2002. Five months after September 11th; five months after the birth of my third child. I traveled all the way from Alaska, by myself. And it was NEW YORK CITY. It was hard to leave my newborn, hard to go to New York after the terrorists had devastated it, hard to go alone, but I had a completed manuscript I was ready to publish and I wanted to meet editors and agents. So I went. I listened to editors talk about what they liked, what they were looking for, what to do and not to do – and the best part was many of them were handing out “golden tickets” – the opportunity to submit to them as a conference attendee even though they were closed to unagented, and/or unsolicited submissions. So why attend? SUBMISSION OPPORTUNITIES.
Coming back from that New York conference, however, I also realized that despite those golden tickets I held in my hand, my manuscript wasn’t ready to submit, mot yet. I had listened to what those editors were saying about common mistakes and I had committed most of them in my novel. Time to revise.
We moved to Michigan shortly after that and I found A WRITING COMMUNITY, something I hadn’t had in Alaska. (Alaska has a SCBWI, but in case all you in the lower 48 didn't realize, Alaska is a pretty big place. Very spread out. Hard to get together. Although they do try!) I found in the Michigan SCBWI an awesome group of writers who kept in contact through conferences, a very active list serv, summer schmoozes (thanks to Shutta Crum!), and various author support events like book launches. I attended my first Michigan conference, got hooked up with their list serv, and found a critique group – the same group I am with now, six years later. That again moved my writing up volumes.
So, to recap, why go to a writer’s conference if you can’t chase an editor into the elevator and sling your novel at her? For Business & Market Information, Networking, Critiques, Submission Opportunities, a Writing community, and let's not forget FUN!!
I promise to blog about what I took away from this conference, but it won't be until mid-August. The day after I get back from LA I will be heading on a quick vacation with my husband and kids to Cedar Point and Put-In Bay (okay, not sure if that's how you spell it; I can spell Koyukuk and Matanuska and Ninilchik, but not so sure about those Ohio names!)
Hope to see some of you in LA!!
Why? Because:
The first writer’s conference I attended was the 2000 Write on The Sound conference in Edmonds, WA. It wasn’t specifically children’s writing, but it did have sessions on YA and it was in Edmonds, where my sister lives, so it worked for me. Even though several of the sessions I sat in on were about writing I didn't necessarily plan on writing - memoirs, magazines, nonfiction - I learned a wealth of knowledge about the business and even more about the market. But the most significant thing I came away with were contacts - I met so many people, writers like me, that I could stay in touch with via email. This actually shocked me. This networking thing. I had always been (and still am!) the shy one – never speaking to someone until spoken to, afraid of social situations because I didn't know what to say – and yet, there I was talking to people about writing, my writing, and talking to them about their writing. So why go? BUSINESS and MARKET INFORMATION and NETWORKING.
I went the following year to the same conference – this time submitting a manuscript for critique. It was scary. It was one thing to have friends or classmates in workshop read it, but have an actual publishing professional read it and comment on it? YIKES!! The experience was amazing. My writing grew in leaps and bounds just from that one critique. As I started attending more conferences, I made it a point to always submit something; in my opinion, it is a wasted opportunity if you don't. You’ll never make it out there if you don’t let those who work out there read your stuff. So, why attend? CRITIQUES
That next year I also attended my first SCBWI National conference. It was February, 2002. Five months after September 11th; five months after the birth of my third child. I traveled all the way from Alaska, by myself. And it was NEW YORK CITY. It was hard to leave my newborn, hard to go to New York after the terrorists had devastated it, hard to go alone, but I had a completed manuscript I was ready to publish and I wanted to meet editors and agents. So I went. I listened to editors talk about what they liked, what they were looking for, what to do and not to do – and the best part was many of them were handing out “golden tickets” – the opportunity to submit to them as a conference attendee even though they were closed to unagented, and/or unsolicited submissions. So why attend? SUBMISSION OPPORTUNITIES.
Coming back from that New York conference, however, I also realized that despite those golden tickets I held in my hand, my manuscript wasn’t ready to submit, mot yet. I had listened to what those editors were saying about common mistakes and I had committed most of them in my novel. Time to revise.
We moved to Michigan shortly after that and I found A WRITING COMMUNITY, something I hadn’t had in Alaska. (Alaska has a SCBWI, but in case all you in the lower 48 didn't realize, Alaska is a pretty big place. Very spread out. Hard to get together. Although they do try!) I found in the Michigan SCBWI an awesome group of writers who kept in contact through conferences, a very active list serv, summer schmoozes (thanks to Shutta Crum!), and various author support events like book launches. I attended my first Michigan conference, got hooked up with their list serv, and found a critique group – the same group I am with now, six years later. That again moved my writing up volumes.
So, to recap, why go to a writer’s conference if you can’t chase an editor into the elevator and sling your novel at her? For Business & Market Information, Networking, Critiques, Submission Opportunities, a Writing community, and let's not forget FUN!!
I promise to blog about what I took away from this conference, but it won't be until mid-August. The day after I get back from LA I will be heading on a quick vacation with my husband and kids to Cedar Point and Put-In Bay (okay, not sure if that's how you spell it; I can spell Koyukuk and Matanuska and Ninilchik, but not so sure about those Ohio names!)
Hope to see some of you in LA!!
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